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Dungeon Master's Guide (2024)
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Chapter 4: Creating Adventures

Whether you're creating your own adventures or using published ones, this chapter helps you create fun and memorable experiences for your players.

Creating an adventure involves blending scenes of exploration, social interaction, and combat into a unified whole that meets the needs of your players and your campaign. The basic elements of good storytelling should guide you throughout this process, joining the encounters into a coherent story.

Step-by-Step Adventures

Follow these steps to create an adventure:

The rest of this chapter offers inspiration and advice for each of these four steps.

Lay Out the Premise

An adventure shares many of the features of a novel, a movie, an issue of a comic, or an episode of a TV show. Comic series and serialized TV dramas are particularly good comparisons because of the way individual adventures are limited in scope but blend together (to some degree) to create a larger narrative. If an adventure is a single episode or season of a series, a campaign is the series as a whole.

But while it's worthwhile to compare an adventure to these other forms of storytelling, remember that an adventure isn't a complete story until you play it. Your players are coauthors of the story with you, and the events of the story shouldn't be predetermined; the actions of the players' characters have to matter. For example, if a major villain shows up before the end of the adventure, the adventure should allow for the possibility that the heroes defeat that villain. Otherwise, players can feel as if they've been railroaded—set onto a course that has only one destination or outcome, no matter how hard they try to change it.

You might find it helpful to think about an adventure not as a narrative that arcs from beginning to end with little chance for deviation, but more in terms of situations that you are presenting to the characters. The adventure unfolds organically from the players' responses to the situations you present.

Adventure Premise

One way to start brainstorming an adventure is to imagine a situation that might pique the characters' interest. For some D&D players, a rumor of a dungeon filled with treasure is enough of a premise to launch an adventure. A brewing war between two small nations, the death of a leader and the accession of a new one, a migration of dangerous monsters, the appearance of a comet, and the opening of a portal to another plane of existence are other situations that could lead to adventure.

A simple premise might also boil down to "a magic item that the characters want is hidden away in a dungeon." Browsing the magic items in 6 can inspire you to create a simple adventure seed.

Adventure Conflict

A premise can be a good starting point, but before you can turn it into an adventure, it needs a conflict worthy of the heroes' attention. The conflict might be driven by a single villain or monster, a villain with lackeys, an assortment of monsters, or an evil organization. But it need not involve the forces of evil; it could be a rivalry or disagreement between two families, organizations, or nations; a looming natural (or magical) disaster; or even conflict within the adventuring party about how to pursue the characters' goals.

Given a premise of a dungeon filled with treasure, what conflict awaits the characters when they enter the dungeon? That might be as simple as "hostile monsters want to eat the characters" or "two rival factions of monsters inhabit the dungeon." It might also involve a rival or a villain hoping to plunder the dungeon first, a rumbling volcano threatening to erupt and bury the dungeon, or two rival families claiming ownership of the treasure left behind in the dungeon by their ancestors.

If you're stuck, browse through the Monster Manual until you find a monster that inspires you.

Adventure Situations by Level

Use the tables in this section to inspire adventure ideas for characters of different levels, with the range of possible levels grouped into four tiers. You can roll on the tables and see if the result sparks your imagination or read the entries on the tables until you find something that grabs you.

Levels 1–4: Local Heroes

The fate of a village might depend on the abilities of fledgling adventurers. These characters navigate dangerous terrain and explore haunted crypts, where they might fight ferocious wolves, giant spiders, evil cultists, flesh-eating ghouls, and ruthless brigands.

Levels 1–4 Adventure Situations
1d20Situation
1A dragon wyrmling has gathered a band of kobolds to help it amass a hoard.
2Wererats living in a city's sewers plot to take control of the governing council.
3Bandit activity signals efforts to revive an evil cult long ago driven from the region.
4A pack of gnolls is rampaging dangerously close to local farmlands.
5A rivalry between two merchant families escalates from mischief to mayhem.
6A new sinkhole has revealed a long-buried dungeon thought to hold treasure.
7Miners discovered an underground ruin and were captured by monsters living there.
8An innocent person is being framed for the crimes of a shape-shifting monster.
9Ghouls are venturing out of the catacombs at night.
10A notorious criminal hides from the law in an old ruin or abandoned mine.
11A contagion in a forest is causing spiders to grow massive and become aggressive.
12To take revenge against a village for an imagined slight, a necromancer has been animating the corpses in the village cemetery.
13An evil cult is spreading in a village. Those who oppose the cult are marked for sacrifice.
14An abandoned house on the edge of town is haunted by Undead because of a cursed item in the house.
15Creatures from the Feywild enter the world and cause mischief and misfortune among villagers and their livestock.
16A hag's curse is making animals unusually aggressive.
17Bullies have appointed themselves the village militia and are extorting money and food from villagers.
18After a local fisher pulls a grotesque statue from the sea, aquatic monsters start attacking the waterfront at night.
19The ruins on the hill near the village lie under a curse, so people don't go there—except a scholar who wants to study the ruins.
20A new captain has taken charge of a band of pirates or bandits and started raiding more frequently.

Levels 5–10: Heroes of the Realm

At this tier, characters undertake adventures that might determine the fate of a region. These adventurers venture into fearsome wilds and ancient ruins, where they confront giants, hydras, golems, devils, demons, and mind flayers. They might also face a young dragon that has just established a lair.

Levels 5–10 Adventure Situations
1d20Situation
1A group of cultists has summoned a demon to wreak havoc in the city.
2A rebel lures monsters to the cause with the promise of looting the king's treasury.
3An evil Artifact has transformed a forest into a dismal swamp full of horrific monsters.
4An Aberration living in the Underdark sends minions to capture people from the surface to turn those people into new minions.
5A monster (perhaps a devil, slaad, or hag) is impersonating a prominent noble to throw the realm into civil war.
6A master thief plans to steal royal regalia.
7A golem intended to serve as a protector has gone berserk and captured its creator.
8A conspiracy of spies, assassins, and necromancers schemes to overthrow a ruler.
9After establishing a lair, a young dragon is trying to earn the fear and respect of other creatures living nearby.
10The approach of a lone giant alarms the people of a town, but the giant is simply looking for a place to live in peace.
11An enormous monster on display in a menagerie breaks free and goes on a rampage.
12A coven of hags steals cherished memories from travelers.
13A villain seeks powerful magic in an ancient ruin, hoping to use it to conquer the region.
14A scheming aristocrat hosts a masquerade ball, which many guests see as an opportunity to advance their own agendas. At least one shape-shifting monster also attends.
15A ship carrying a valuable treasure or an evil Artifact sinks in a storm or monster attack.
16A natural disaster was actually caused by magic gone awry or a cult's villainous plans.
17A secretive cult uses spies to heighten tensions between two rival nations, hoping to provoke a war that will weaken both.
18Rebels or forces of an enemy nation have kidnapped an important noble.
19The descendants of a displaced people want to reclaim their ancestral city, which is now inhabited by monsters.
20A renowned group of adventurers never returned from an expedition to a famous ruin.

Levels 11–16: Masters of the Realm

The fate of a nation or even the world depends on the characters at this tier. These adventurers explore uncharted regions and delve into forgotten dungeons, where the characters confront terrible schemers of the Lower Planes, cunning rakshasas and beholders, and hungry purple worms. They might encounter and even defeat a powerful adult dragon. At this tier, they broker peace between nations or lead them into war, and their formidable reputations attract the attention of powerful foes.

Levels 11–16 Adventure Situations
1d12Situation
1A portal to the Abyss opens in a cursed location and spews demons into the world.
2A band of hunting giants has driven its prey—enormous beasts—into pastureland.
3An adult dragon's lair is transforming an expanse into an environment inhospitable to the other creatures living there.
4A long-lost journal describes an incredible journey to a hidden subterranean realm full of magical wonders.
5Cultists hope to persuade a dragon to undergo the rite that will transform it into a dracolich.
6The ruler of the realm is sending an emissary to a hostile neighbor to negotiate a truce, and the emissary needs protection.
7A castle or city has been drawn into another plane of existence.
8A storm tears across the land, with a mysterious flying citadel in the eye of the storm.
9Two parts of a magic item are in the hands of bitter enemies; the third piece is lost.
10Evil cultists gather from around the world to summon a monstrous god or alien entity.
11A tyrannical ruler outlaws the use of magic without official sanction. A secret society of spellcasters seeks to oust the tyrant.
12During a drought, low water levels in a lake reveal previously unknown ancient ruins that contain a powerful evil.

Levels 17–20: Masters of the World

At this tier, adventures have far-reaching consequences, possibly determining the fate of millions on the Material Plane and even places beyond. Characters traverse otherworldly realms and explore demiplanes and other extraplanar locales, where they fight terrible balor demons, titans, archdevils, liches, ancient dragons, and even manifestations of the gods.

Levels 17–20 Adventure Situations
1d10Situation
1An ancient dragon is scheming to destroy a god and take the god's place in the pantheon. The dragon's minions are searching for Artifacts that can summon and weaken this god.
2A band of giants drove away a metallic dragon and took over the dragon's lair, and the dragon wants to reclaim the lair.
3An ancient hero returns from the dead to prepare the world for the return of an equally ancient monster.
4An ancient Artifact has the power to defeat or imprison a rampaging titan.
5A god of agriculture is angry, causing rivers to dry up and crops to wither.
6An Artifact belonging to a god falls into mortal hands.
7A titan imprisoned in the Underdark begins to break free, causing terrible earthquakes that are only a hint of the destruction that the titan will cause if it is released.
8A lich tries to exterminate any spellcasters that approach the lich's level of power.
9A holy temple was built around a portal leading to one of the Lower Planes to prevent any evil from passing through in either direction. Now the temple has come under siege from both directions.
10Five ancient metallic dragons lair in the Pillars of Creation. If all these dragons are killed, the world will collapse into chaos. One has just been slain.

Adventure Setting

Many D&D adventures revolve dungeons—interior spaces such as great halls and tombs, subterranean monster lairs, mazes riddled with traps, natural caverns extending for miles beneath the surface, and ruined castles. The "2" section in 2 can help you craft a dungeon environment for an adventure.

Of course, not every adventure takes place in a dungeon. A wilderness trek across the desert or a harrowing journey into the jungle can be an exciting adventure in its own right. Outdoors, dragons wheel across the sky in search of prey, fierce warriors pour forth from grim fortresses to wage war against their neighbors, ogres and trolls plunder farmsteads for food, and monstrous spiders drop from web-shrouded trees.

Adventures can also take place in cities, towns, and villages, which are often no less dangerous than dungeons or the wilds. The "2" section in 2 can help you create a settlement where an adventure can take place.

Adventure Maps

An adventure location almost always benefits from a map, and the more thoughtfully constructed the map is, the more fun players are likely to have as their characters explore the location.

Maps and Adventure Structure

An adventure map can take many forms—from a detailed dungeon map that shows the dimensions and contents of every room to a rough outline of how one encounter might lead to another, depending on the route the characters choose. Whatever form your map takes, it functions as a flowchart since each decision point (a branch in a corridor, a room with multiple exits) leads to new decision points. If the characters leave a room by the north door, you check your map and determine it leads them into the great hall, lined with pillars, where the fire giant king holds court. If they leave by the secret door to the southeast, you check the map and follow the secret tunnel as it winds to the hidden vaults below the great hall.

Sample Maps

9 contains maps you can use for your adventures or as inspiration for your own maps. You can also modify those maps to fit the details of the location you have in mind.

Map Inspiration

The internet is a great place to find adventure maps that have been made available, as well as real-world building floor plans and city maps and other images that can inspire your mapmaking.

Bringing a Location to Life

An inhabited adventure location has its own ecosystem. The creatures that live there need to eat, drink, breathe, and sleep. Predators need prey, and intelligent creatures search for lairs offering the best combination of air, food, water, and security. Keep these factors in mind when designing an adventure location. If the site has an internal logic, adventurers can use their understanding of that logic to make informed decisions.

For example, characters who find a pool of fresh water in a dungeon might infer that many of the creatures inhabiting the dungeon come to that spot to drink. The adventurers might set an ambush at the pool. Likewise, closed or locked doors can restrict the movement of some creatures. A dungeon infested with carrion crawlers or stirges would need open passages so that these creatures can move about to find food.

Adventure Inhabitants

The monsters in any adventure location are more than a collection of random creatures that happen to live near one another. Fungi, natural animals, scavengers, and predators can coexist in a complex ecology, alongside sapient creatures who share living space through some combination of negotiation and domination.

Each creature's entry in the Monster Manual indicates the terrain types where that creature is most often found, and that book also includes tables listing the creatures commonly found within each type of terrain. Using that information, you can decide which creatures inhabit an adventure location within a particular environment. You can choose a range of creatures, from common vermin to sapient inhabitants and terrifying predators, and decide how they live together.

Factions

Particularly in larger areas, groups of creatures might compete for resources. When these groups consist of sapient creatures, opportunities abound for the adventurers who enter those areas. Characters might ally with one group or play groups against each other to reduce the threat of the more powerful monsters. For example, in a dungeon inhabited by mind flayers and the grimlocks they rule, the adventurers might try to incite the grimlocks to revolt against the mind flayers.

Bring the NPC leaders of groups to life as described in the "2" section in 2, fleshing out their personalities and goals. Then use those elements to decide how those leaders respond to adventurers.

Draw In the Players

If an adventure situation directly affects the characters or the people and places they care about, that is often enough motivation for the characters to get involved. (However, see "0" in 0 for advice about harming the people and places characters love.)

If the adventure situation doesn't have an obvious impact on the characters or the people or things they care about, you can use other techniques to draw in the players. These are best tailored to the motivations of your players and their characters. For example, some adventuring groups are noble heroes who respond without hesitation to the pleas of innocent villagers crying for help; other groups are hardened mercenaries who respond only to offers of payment. Some groups are devoted to gods, rulers, or other patrons who might send them on quests, either directly or through intermediaries.

Adventure Patrons

Many adventures begin with a patron asking the characters to undertake a quest or mission, offering a reward in exchange for this service.

Take the time to flesh out an NPC who serves as a patron. Once in a while, it can be interesting for the characters' patron to betray them. Pulling that trick more than once in a campaign, though, is likely to make the players unwilling to trust any future patrons and possibly suspicious about any adventure hooks you put in front of them.

The Patron Hooks table offers some suggestions for ways a patron can lead characters to an adventure situation. The "4" section in 4 offers some more suggestions for patrons.

Patron Hooks
1d6Hook
1A town crier announces that someone is hoping to hire adventurers.
2Someone the characters want to impress or need a favor from asks them to deal with the adventure situation.
3When the characters arrive in a new city, they find a job board where someone has posted in search of adventurers.
4A wealthy patron who is aware of the adventurers' accomplishments writes to them, offering to pay them for their talents.
5A citizen in need, who has learned of the adventurers' accomplishments and kindness, travels miles to find them and implore them for help.
6The adventurers are arrested (on valid or invented charges) and offered a chance to escape punishment by completing a quest.

Supernatural Hooks

Celestial omens, vivid dreams, or other magical phenomena can point characters to the adventure situation and suggest a course of action. The Supernatural Hooks table offers some suggestions.

Supernatural Hooks
1d6Hook
1The characters all have a vivid dream that foreshadows elements of the adventure.
2While preparing spells, one character receives a quest from a god or patron.
3A fortune teller's reading for one of the characters points to a quest and offers hints about challenges that lie ahead.
4Flames, clouds, smoke, or huge flocks of birds take distinct shapes that portend the adventure situation.
5Animals or animated objects speak clearly to direct the adventurers toward the situation.
6Someone who died returns as a ghost and haunts the characters. The ghost prompts the characters to investigate the cause of the ghost's death and put it to rest.

Happenstance Hooks

Sometimes, characters just happen on an adventure through sheer coincidence—or at least what appears to be coincidence (which might actually involve divine or other supernatural intervention). The Happenstance Hooks table provides some ideas.

Happenstance Hooks
1d6Hook
1The characters find a letter describing the adventure situation.
2The characters are on an unrelated quest, such as searching for a particular magic item, that leads them into the adventure situation.
3The adventure situation disrupts a festival or ceremony that the characters are attending.
4A magical mishap places the characters in the adventure situation.
5While traveling in a caravan or aboard a ship, the characters befriend an NPC who has news about the adventure situation.
6The characters are attacked after being mistaken for another group of adventurers. They learn about the adventure situation from a clue left behind by their attackers.

Plan Encounters

Encounters are the individual scenes in the larger story of your adventure. Reduced to fundamentals, an encounter is an objective with an obstacle. It accomplishes one or more of the following:

  • Moving characters closer to achieving a goal
  • Frustrating the characters' progress toward a goal
  • Revealing new information

Character Objectives

The following objectives can be foundations for encounters. Although these objectives focus on a single encounter during an adventure, using the same objective in multiple encounters allows you to combine these encounters into a larger obstacle or problem the adventurers must overcome.

Make Peace

The characters must convince two opposing groups (or their leaders) to end the conflict that embroils them. As a complication, the characters might have enemies on one or both of the opposing sides, or some other group or individual might be instigating the conflict to further its own ends. An encounter aimed at making peace might involve only social interaction, perhaps with the threat of combat if negotiations go poorly. It could also begin as a combat encounter, with the characters trying to stop the fighting and get the parties talking to each other.

Protect an NPC or Object

The characters must act as bodyguards or protect some object in their custody. As a complication, an NPC under the party's protection might be cursed, panicked, unable to fight, or apt to risk the lives of the adventurers through dubious decisions. The object the adventurers have sworn to protect might be sentient, cursed, or difficult to transport. Such an encounter might be a combat encounter or an exploration encounter, with either Hostile monsters or a dangerous environment threatening the NPC or object the characters are trying to protect. If the characters are protecting an NPC, this objective can add an element of social interaction to a combat or exploration encounter.

Retrieve an Object

The adventurers must gain possession of a specific object in the area of the encounter, often with a time limit. This might be a combat encounter, with monsters protecting the object, or an exploration encounter, with traps or hazards preventing access to the object. As a complication, enemies might desire the object as much as the adventurers do, adding a combat element to an exploration encounter or complicating a combat.

Run a Gauntlet

The adventurers must pass through a dangerous area. As with retrieving an object, reaching the exit is a higher priority than killing opponents in the area. A time limit adds a complication, as does a decision point that might lead characters astray. This might be an exploration encounter, with traps and hazards as complications, or a combat encounter against Hostile monsters.

Sneak In

The adventurers need to move through the encounter area without their enemies noticing. This is typically an exploration encounter, but if the characters are detected, a combat encounter or social interaction might result.

Stop a Ritual

The plots of evil cult leaders, malevolent spellcasters, and Fiends often involve rituals that must be foiled. In a combat encounter, characters might have to fight their way through evil minions before attempting to disrupt the ritual's magic. This could also drive an exploration encounter, where the challenge is getting to the place where the ritual is occurring, or a social interaction encounter, where the objective is convincing the ritual leaders to stop their rite. As a complication, the ritual might be close to completion when the characters arrive, imposing a time limit. The ritual's completion might have immediate consequences, too.

Take Out a Single Target

A villain the characters seek to defeat is surrounded by minions powerful enough to kill the adventurers. The characters can flee and hope to confront the villain another day, or they can try to fight their way through the minions. As a complication, the minions might be innocent creatures under the villain's control. Killing the villain means breaking that control, but the adventurers must endure the minions' attacks until the villain falls.

Keeping the Adventure Moving

Make sure your players have clear objectives they can pursue at every stage of the adventure. Three simple techniques can ensure that the players understand the task at hand and how to pursue it:

Something for Everyone

As described in the "1" section in 1, players have different tastes in the activities they enjoy in the game. An adventure needs to account for the different players and characters in your group to draw them into the story.

An adventure that includes a balance of exploration, social interaction, and combat is likely to appeal to a wide breadth of players. But an adventure you create for your home campaign doesn't have to appeal to every possible player interest—only to the players at your table.

You can design encounters that appeal to multiple player motivations. Imagine a fight pitting the characters against a gang of gnolls, delighting the players who enjoy fighting. Then a young dragon wanders into the middle of the fight. Suddenly the fight can swing one of two ways: the dragon could help the gnolls against the party or help the party against the gnolls. It's up to the players who thrive on acting to persuade the dragon to help the party.

Multiple Ways to Progress

Make sure there are multiple ways the characters can progress through the adventure at any point, so if they miss one way, they have an alternative. Plan opportunities for the adventure to move forward even when the characters fail. Use challenges with a single path to success only as chances for the characters to obtain extra rewards.

Social Interaction Encounters

The "1" section in 1 offers advice for handling social interaction encounters and can help you craft these encounters. The "2" section in 2 is also essential for creating these encounters.

Exploration Encounters

An encounter centered on exploration might involve the characters trying to disarm a trap, find a secret door, or discover something about the adventure location. An exploration encounter could also involve the characters spending a day crossing a rolling plain or traversing vast caverns.

The "1" section in 1 can help you craft these encounters as well as run them. Various sections in 2 can also help you detail obstacles and dangers in an exploration encounter: see "2," "2," "2," "2," "2," "2," and "2" in particular.

Combat Encounters

The following features can make a combat encounter more interesting or challenging:

Combat Encounter Difficulty

Use the following guidelines to create a combat encounter of a desired level of difficulty.

Step 1: Choose a Difficulty

Three categories describe the range of encounter difficulty:

Step 2: Determine Your XP Budget

Using the XP Budget per Character table, cross-reference the party's level with the desired encounter difficulty. Multiply the number in the table by the number of characters in the party to get your XP budget for the encounter.

XP Budget per Character
15075100
2100150200
3150225400
4250375500
55007501,100
66001,0001,400
77501,3001,700
81,0001,7002,100
91,3002,0002,600
101,6002,3003,100
111,9002,9004,100
122,2003,7004,700
132,6004,2005,400
142,9004,9006,200
153,3005,4007,800
163,8006,1009,800
174,5007,20011,700
185,0008,70014,200
195,50010,70017,200
206,40013,20022,000
Step 3: Spend Your Budget

Every creature has an XP value in its stat block. When you add a creature to your combat encounter, deduct its XP from your XP budget to determine how many XP you have left to spend. Spend as much of your XP budget as you can without going over. It's OK if you have a few unspent XP left over. Examples are given below:

Troubleshooting

When creating and running combat encounters, keep the following in mind.

Many Creatures

The more creatures in an encounter, the higher the risk that a lucky streak on their part could deal more damage to the characters than you expect. If your encounter includes more than two creatures per character, include fragile creatures that can be defeated quickly. This guideline is especially important for characters of level 1 or 2.

Adjustments

A player's absence might warrant removing creatures from an encounter to keep it at the intended difficulty. Also, die rolls and other factors can result in an encounter being easier or harder than intended. You can adjust an encounter on the fly, such as by having creatures flee (making the encounter easier) or adding reinforcements (making the encounter harder).

CR 0 Creatures

Creatures that have a CR of 0, particularly ones that are worth 0 XP, should be used sparingly. If you want to include many CR 0 critters in an encounter, use swarms from the Monster Manual instead.

Number of Stat Blocks

The best combat encounters often pair one kind of creature with another, such as fire giants paired with hell hounds. Be mindful of the number of stat blocks you need to run the encounter. Referencing more than two or three stat blocks for a single encounter can be daunting, particularly if the creatures are complex.

Powerful Creatures

If your combat encounter includes a creature whose CR is higher than the party's level, be aware that such a creature might deal enough damage with a single action to take out one or more characters. For example, an Ogre (CR 2) can kill a level 1 Wizard with a single blow.

Unusual Features

If a monster has a feature that lower-level characters can't easily overcome, consider not adding that monster to an encounter for characters whose level is lower than the monster's Challenge Rating.

Monster Behavior

The attitudes, motivations, and behavior of the monsters in an encounter help determine how a social interaction plays out (and whether it might erupt into combat) and influence the course of combat.

Initial Attitudes

A published adventure typically notes or implies whether a creature's initial attitude toward the adventurers is Friendly, Indifferent, or Hostile. In an encounter you've created, you can decide that starting attitude, or you can randomly determine it using the Initial Attitude table.

Initial Attitude
1d12*Initial Attitude
1–4Hostile
5–8Indifferent
9–12Friendly

Monster Personality

If an encounter involves a significant individual, use the guidance in the "2" section of 2 to flesh out the details of that individual's personality and aims. For a group of nameless monsters, you can decide on a personality based on the monsters' entries in the Monster Manual, or you can use the Monster Personality table to inform how you portray the monsters and their actions. It's simplest to assign the same personality traits to an entire group of monsters in an encounter. For example, one bandit gang might be an unruly mob of braggarts, while the members of another gang are always on edge and ready to flee at the first sign of danger.

Monster Personality
1d8Personality
1Cowardly; surrenders easily
2Greedy; wants treasure
3Boastful; makes a show of bravery but runs from danger
4Disorderly; poorly trained and easily rattled
5Fanatical; ready to die fighting
6Brave; stands firm against danger
7Jocular; taunts enemies
8Orderly; difficult to rattle

Monster Relationships

Encounters with groups of monsters can be more interesting if rivalries, hatreds, or attachments exist among the monsters in the group. The death of a much-revered leader might throw its followers into a frenzy. On the other hand, a monster might flee if its hunting companion is killed, or a mistreated toady might be eager to surrender and betray its boss in return for its life. You can use the Monster Relationships table to inspire such relationships within a monster group.

Monster Relationships
1d6Relationship
1Two monsters have a bitter rivalry; each wants the other to suffer.
2One monster, bullied by the others, hangs back and flees at the first opportunity.
3One monster is revered or even worshiped by the others, who will die for it.
4One monster is admired by the group; its allies try to impress or help it.
5One monster cares only for itself and not the rest of the group.
6One monster bullies the others; it forces them into danger, but they want it defeated.

Reactive Tactics

A great way to make an adventure location feel alive—particularly an organized base or stronghold—is to allow its denizens to react to the presence of the adventurers. Once they are aware of trespassers, sapient creatures might either fortify their own locations or leave those locations to assist colleagues and expel the invaders.

Take a copy of the adventure map, and pencil in the locations of all its inhabitants to give yourself a sense of where they're located relative to each other. When the adventurers engage in combat or any other noisy activity, assume that nearby creatures hear the noise and are alerted to the adventurers' presence. (Creatures that can't hear might be alerted by vibrations or other sensory cues.) Once alerted, a creature has several options:

If you can't decide what an alerted creature should do, have it make a DC 10 Wisdom saving throw. On a successful save, the creature either investigates or lays an ambush; on a failed save, it hides or fortifies its location. When dealing with a group of creatures, the leader makes this saving throw on behalf of the entire group.

As creatures employ reactive tactics, make notes about their new locations on your adventure map.

Prepared Defenders

Sapient creatures that have reason to believe their lair is likely to be invaded might set up a defense. Reasons to set up a defense include the following:

  • Adventurers invaded the lair recently and retreated.
  • Scouts affiliated with the lair's denizens noticed the adventurers heading toward the lair.
  • A spy in a nearby settlement overheard or discovered the adventurers' plans and alerted the lair's occupants.

Prepared defenders commonly use one or more of the following tactics:

If the denizens of an adventure location employ any of these tactics, update your map as appropriate.

Encounter Pace and Tension

A good story hooks you in with an interesting introduction, builds tension steadily throughout the story, then reaches a climactic conclusion. It's not always easy to mimic that structure in an adventure where the players control their characters' actions, but you can use the encounters you plan to build tension toward a climax.

Each encounter in an adventure is an opportunity to make the characters' situation more complex and urgent, with more significant consequences. Successive encounters raise the tension in an adventure naturally, as characters spend their limited resources. Variety also contributes to a sense of escalating tension. Build variety into your encounters in three ways:

Urgency and Rests

While successive encounters increase tension, taking a Short Rest relaxes the tension somewhat, as characters have a chance to replenish some of their resources. In many adventures, though, the characters and their players have a sense that they need to act quickly to deal with the situation presented by the adventure. This creates tension between the need to rest and the sense that things are getting worse while the characters are resting.

You can influence the pace and tension of your adventure by determining where and when the characters can rest. If the characters are exploring a vast dungeon, consider scattering a few small rooms with only one door, where the characters can bar the door and reasonably expect to spend an hour or even a night resting in safety. On the flip side, cautious characters might try to take a Short Rest between every encounter, never really straining their resources. It's OK to interrupt those rests once in a while to maintain a sense of tension or to heighten the urgency, making it clear that even an hour spent resting could jeopardize their chances of success.

Easing Up

It is possible to dial up the urgency to the point that the players feel they don't have time to investigate the interesting details they encounter in the world. When this happens, consider using a helpful NPC to take some of the pressure off. A wise elder might advise them that the situation is not as urgent as they fear, a whimsical Fey being might use magical mischief to force them to slow down, or a kindly Celestial could tell them they're taking the concerns of the mortal world just a bit too seriously.

Random Encounters

Random encounters are randomly determined encounters that don't occur in a fixed location. The options are often presented in a table. When a random encounter occurs, you roll a die and consult the table to determine what the party encounters. Sample random encounter tables appear in the adventure examples later in this chapter. Similar tables appear in many published adventures and rulebooks, and you can easily create your own by following these examples.

Handled well, random encounters can serve a variety of useful purposes.

Create Urgency

Wandering monsters encourage characters to keep moving and to find a safe place to rest. (Sometimes you can create a sense of danger and urgency by rolling dice behind your DM screen, even without an actual encounter!)

Drain Character Resources

By draining the party's Hit Points and spell slots, leaving the adventurers feeling underpowered and vulnerable, random encounters can build tension in an adventure.

Establish Atmosphere

Thematic links among monsters appearing in random encounters create a tone and an atmosphere that define the environment the characters are exploring. For example, an encounter table filled with bats, wraiths, giant spiders, and zombies creates a sense of horror and suggests the possibility of even more terrifying foes.

Provide Assistance

Some random encounters can benefit the characters instead of hindering or harming them. Helpful creatures might give the characters useful information or assistance.

Reinforce Campaign Themes

Random encounters can remind the players of the major themes and conflicts in your campaign. For example, if a war between two nations is a major conflict in your campaign, you might design random encounter tables to reinforce the ever-present threat of that conflict, including encounters with bedraggled troops returning from battle, refugees fleeing invaders, lone messengers riding for the front lines, enemy war parties, and so on.

A Life of Its Own

Sometimes a random encounter that starts off incidental can become important to the story. A random encounter with a wandering ogre might end with the ogre offering to help the characters get where they need to go, or the ogre might have something in a nearby den that is significant to the adventure story—a prisoner, a stolen item, or important information. Or the players might find the ogre's personality delightful, prompting you to make the ogre a more important part of the story.

Bring It to an End

The climactic ending of an adventure fulfills the promise of all that came before. The best climax is one the players see coming, so if a dragon is the mastermind behind all the nefarious activity happening in an adventure, having the dragon's minions mention the nature of their boss sets up the coming climactic encounter.

Although the climax must hinge on the successes and failures of the characters up to that moment, the Adventure Climax table can provide suggestions to help you shape the end of your adventure.

Adventure Climax
1d10Climax
1The adventurers confront a villain and a group of minions in a battle to the finish.
2The adventurers chase a villain while dodging obstacles designed to thwart them, leading to a final confrontation in the villain's refuge.
3The actions of the adventurers or a villain result in a cataclysmic event that the adventurers must escape.
4The adventurers race to the site where a villain is bringing a master plan to its conclusion, arriving just as that plan is about to be completed.
5A villain and two or three lieutenants perform separate rites in a large room. The adventurers must disrupt all the rites.
6An ally betrays the adventurers as they're about to achieve their goal. (Use this climax carefully, and don't overuse it.)
7A portal opens to another plane of existence. Creatures on the other side spill out, forcing the adventurers to close the portal while dealing with a villain at the same time.
8The dungeon begins to collapse while a villain attempts to escape in the chaos.
9The adventurers must choose whether to pursue a fleeing villain or save an NPC they care about or a group of innocents.
10Just when the characters think the main threat is defeated, it transforms into a different monster or a more powerful form.

Denouement

In most stories, there's a period after the climax, in which loose plot threads are tied up and everything is explained. An adventure might also include this kind of denouement: time to discover what treasure is in the dragon's hoard, an award ceremony where the queen gives medals to the victorious heroes, or even a time to mourn adventuring companions who didn't survive the battle.

The denouement can also be an opportunity for the players to identify loose threads that haven't been tied up—threads that can lead them into the next adventure. The "4" section in 4 offers suggestions for weaving these connecting threads.

Adventure Rewards

For some characters, the prospect of material reward is their primary reason for going on adventures. For others it's a welcome added benefit to pursuing their other goals.

6 describes different kinds of treasure, but see also "2" in 2 for other rewards you might use.

The following sections describe how treasure is typically dispersed in an adventure.

Individual Treasure

Characters might find small amounts of treasure in the pockets, pouches, or personal stashes of individual monsters. Even if a monster doesn't intentionally collect treasure, characters might find scattered coins and other monetary treasure left behind by the monster's previous victims.

You can use the Random Individual Treasure table to determine how much treasure a single monster has based on its Challenge Rating (CR). The table includes the average total in parentheses, which you can use instead of rolling. To determine the total amount of treasure for a group of similar creatures, you can roll once and multiply the total by the number of creatures in the group.

Random Individual Treasure
CRTreasure
0–43d6 (10) GP
5–102d8 × 10 (90) GP
11–162d10 × 10 (110) PP
17+2d8 × 100 (900) PP

Treasure Hoards

Adventurers sometimes discover large caches of treasure, the accumulated wealth of a large group of creatures or the belongings of a single powerful creature that hoards valuables. The Random Treasure Hoard table can help you create such a cache. When determining the contents of a hoard belonging to one monster, use the row for that monster's Challenge Rating (CR). When the hoard belongs to a large group of monsters, use the CR of the monster that leads the group. Each row includes average results for monetary treasure, which you can use instead of rolling. To create a hoard for a monster that is particularly fond of amassing treasure (such as a dragon), you can roll twice on the table or roll once and double the total.

As a rough benchmark, aim to roll on the Random Treasure Hoard table about once per game session. Use the guidelines in 6 to determine which magic items are in the hoard (see "6" and "6").

Random Treasure Hoard
CRMonetary TreasureMagic Items
0–42d4 × 100 (500) GP1d4-1
5–108d10 × 100 (4,400) GP1d3
11–168d8 × 1,000 (36,000) GP1d4
17+6d10 × 10,000 (330,000) GP1d6

Quest Rewards

Sometimes, characters are paid for completing a quest. To determine a suitable quest reward, roll once on the Random Treasure Hoard table, using the characters' level for the Challenge Rating (CR).

Monster Treasure Preferences

The Monster Manual gives treasure preferences for monsters in that book. These preferences are categorized as follows:

Adventure Examples

This section contains example adventures that demonstrate the principles described throughout the chapter. Each provides enough information for you to run a one-session adventure, with the help of the maps in 9 and the monster stat blocks in the Monster Manual.

Each adventure in this section includes the following information:

Use your imagination to bring the locations and encounters to life, and build on the ideas the players bring to each encounter. Alter these outlines freely to suit your tastes—and those of your players—and your ideas for your campaign.

The Fouled Stream

Adventure for Level 1 Characters

Encounters

The adventure consists of these encounters.

The First Fork

A mile upstream from the village, a stream flows into the river from a little wood on the river's south side. Characters can tell that this stream is the source of the pollution.

Journey Upstream

Borogrove, a kindly Treant, keeps watch over the wood and meets the characters as they follow the polluted stream. He knows the source of the corruption is inside a cave that the stream spills out of. He gives the characters a magic acorn. If swallowed, the acorn conveys the benefits of a Potion of Healing and the Lesser Restoration spell.

Twig Blights

Just outside the cave, the characters encounter six Twig Blights.

Corrupted Cave

Use the Underdark Warren map in 9 for the corrupted cave. Ignore the secret door and the inner chambers behind it. Close off the tunnels leading off the map to the south, east, and north. The characters enter the cave in the southeast, following the stream. The cave's main features and inhabitants are as follows:

Journey Home

As they leave the wood, the characters encounter Borogrove again. If they used his acorn, he gives them another one. If they purified the source of the stream, he gives them a Staff of Flowers in gratitude.

Miner Difficulties

Adventure for Level 2 Characters

Encounters

The adventure consists of these encounters.

Exploring the Mine

Use the Mine map in 9. In the weeks since the miners abandoned the place, pests have flourished in the tunnels. Each time the characters enter a distinct area of the mine, roll on the following table.

1d6Encounter
1Four Violet Fungi and one Rust Monster
2One Giant Spider and two Swarms of Insects (spiders)
3One Darkmantle and three Piercers
4A patch of 2 (see "2" in 2) on a miner's remains
5One Gelatinous Cube
6Sounds of Terror (see below)
Sounds of Terror

The first time this encounter occurs, the characters hear eerie clacking and scraping noises echoing in the mine shafts and notice gouges in the walls. The second time, they find the source of those sounds and markings—the Hook Horror. The creature is hungry, but what it really wants is to find its way back to the Underdark. It retreats from a fight that is going badly for it.

Underdark Connection

The tunnel in the southeast corner of the bottom level of the mine is where the miners accidentally connected to an Underdark tunnel. The hook horror entered the mine through a hole in the wall, but the hole closed behind it in a cascade of rubble. If the characters clear away the rubble from the hole, they hear clacking and scraping from the other side. The hook horror hears it too and hurries here to rejoin its kin. As long as the characters stay out of its way, it ignores them as it scrambles back through the hole, never to plague the mine again. Each character then earns a bonus 200 XP.

The Winged God

Adventure for Level 3 Characters

Encounters

The adventure consists of these encounters.

Kobold Bandits

Along the road, the wagon is surrounded by eight Kobold Warriors (Neutral) who demand that the merchant surrender his goods. In combat, the kobolds shout things like "For the Winged God!" and "Fight to reclaim our home!" If four of them fall in battle, the remaining kobolds try to flee. Any captured kobold explains the situation.

Kobold Supplicants

If the characters continue on their way without pursuing the kobolds, twelve Kobold Warriors (including any survivors of the first encounter) and six Winged Kobolds (all Neutral) approach the wagon. These kobolds humbly ask the adventurers to help them. They promise to return the goods they stole from Nondy if the adventurers drive off the dragon.

Kobold Camp

If the adventurers follow fleeing kobolds, they can find the kobolds' camp on a nearby outcropping. The kobolds there don't fight, though, instead begging the adventurers to help them (as in "Kobold Supplicants" above).

Dragon's Lair

Use the Volcanic Caves map in 9 for the dragon's lair, but close off passages to keep the lair small. Near the entrance, the characters encounter a gang of four Magma Mephits and three Smoke Mephits, drawn to the lair by the magic of the dragon.

In the inner cave, the troublesome Red Dragon Wyrmling rests on its little hoard:

If the characters defeat or drive off the dragon, each of them earns a bonus 400 XP.

Horns of the Beast

Adventure for Level 5 Characters

Encounters

You can use the poster map of the world of Greyhawk for this adventure; the temple is located near the southern edge of the map, in the Amedio Jungle. The journey unfolds in three stages (see "1" in 1), culminating in the discovery of the ruins and the artifact.

Stage 1

Melchis hires a ship to carry the party to the Amedio Jungle. Use the map to determine how long the sea voyage takes, depending on where the adventurers begin the trip and figuring that the ship covers about 1½ hexes per day. Near the end of the trip, as the ship crosses Jeklea Bay, it's attacked by a group of Hostile sahuagin, including two Sahuagin Priests, six Sahuagin Warriors, and a Water Elemental. (Assume the ship's crew stays out of the way of these terrifying monsters and lets the characters and Melchis deal with this threat.) Stage 1 ends when Melchis and the characters row a launch ashore.

Stage 2

Melchis leads the characters into the jungle, aiming for the shore of the lake. This stage covers about 180 miles through the dense forest. Each day of the journey, roll once on the following table to determine what the characters encounter on their journey, if anything.

1d20Encounter
1–14No encounter
15An Indifferent Giant Ape protects its territory; its primary concern is getting the party to leave.
16A Hostile Tyrannosaurus Rex is on the hunt and tries to eat the characters.
17Three Allosauruses are hunting in the jungle; they are Hostile and treat the party as prey.
18Two Ankylosauruses tromp through the forest nearby. They are territorial and aggressive but Indifferent, and they won't pursue a fleeing party.
19A band of humans, including a Warrior Veteran and eight Warrior Infantry, watch the party. They are Indifferent; they live in the jungle and aren't used to seeing other people.
20Four Minotaurs of Baphomet prowl the jungle looking for Humanoids they can capture and bring back to the temple.
Stage 3

Once the characters reach the edge of the lake, Melchis leads them southwest along the shore until they find the ruin. This stage covers 90 miles through coastal terrain. The second day of the journey, 2 obscures vision and creates 2 (see "2" and "2" in 2). The front rank of the party might fall into a quicksand pit while two Giant Crocodiles attack at the same time. The rest of the journey passes without incident.

The Ruins

For the ruins, use the western half of the ground floor of the Dungeon Hideout map in 9, and ignore the stairs leading to the lower levels. Dwelling in the ruins are six Minotaurs of Baphomet who are Hostile to all intruders. They are spread out around the ruins but come quickly when they hear combat.

The Artifact

The Horns of the Beast—a jagged crown made from the horns of demons and wild animals—rests on a pedestal in the northwest corner of the ruins. Melchis immediately attempts to seize the Artifact and place it on his head. If he does, he is transformed into a Hezrou and tries to kill the characters. A character who dons the Artifact is cursed with 2 (see "2" in 2). The Artifact can't be removed from the character's head until a Remove Curse spell is cast on the character. If the characters defeat Melchis and search him, they find a Bag of Holding containing twelve 5-pound gold trade bars (worth 250 GP each) and a Spell Scroll of Teleportation Circle. The scroll also contains the sigil sequence for a permanent teleportation circle. At the end of the adventure, each character earns a bonus 1,000 XP.

Destroying the Artifact

The Horns of the Beast can be destroyed only by dropping it in the 5, which flows through the Upper Planes (see 5). A character can learn this by casting Identify on the Artifact.

Boreal Ball

Adventure for Level 7 Characters

Encounters

The adventure plays out over three dances. During each one, the characters can decide whether they dance, mingle, watch the dancers, or engage in some other activity. (The Manor map in 9 can serve as a floor plan for the baron's palace.) Each character has the opportunity to earn renown for the party (see "2" in chapter 3) by making a positive impression on whomever they're interacting with—a potential Renown Score increase of 1 per character per dance. These guests pay particular attention to the characters:

  • Cannifer is a Satyr Revelmaster who is used to being the center of attention at every ball he attends and is thus Hostile to the adventurers.
  • Darisis a Friendly, fun-loving Dryad who wants to be seen dancing with all the adventurers.
  • Fidget is a playful Pixie who is Indifferent and pesters the adventurers with pranks throughout the evening, without causing any actual harm.
  • Granny Snailtongue is a Hostile Green Hag who sees the adventurers as potentially useful tools. She offers to help them at every turn in hopes of putting them in her debt.
  • Raxas Albrethin is an arrogant, Chaotic Neutral drow Mage who is initially Hostile and wants to see the adventurers humiliated. However, once the characters' Renown Score reaches 6, Raxas admits he misjudged them and becomes Friendly.
Rude Interruption

After the second dance, the ball is interrupted by a Neutral Evil Hobgoblin Warlord named Varka, who is accompanied by a Hobgoblin Captain and five Hobgoblin Warriors. The hobgoblins are offended by the adventurers' presence and attack them. If the characters defeat the hobgoblins, their Renown Score increases by 2.

Conclusion

After three dances, the Baron of the Boreal Ball appears. If the party's Renown Score is at least 6, he bestows on each character a Charm of the Boreal Ball. This charm (see "2" in 2) allows a character who has it to cast the level 3 version of the Ice Knife spell. Once used, the Charm vanishes. Each character also earns a bonus 1,700 XP.